Writing a novel is hard work. Writing a good western can be even more daunting: westerns, which tend to have plotlines so well traveled you can drive a wagon train through them, nonetheless require historical specificity and a protagonist who typifies rugged individuality—laconic and gimlet-eyed from the start or in a dude-to-hero arc.
So whenever I read . . . → Read More: Writing the High Country; or, Author Larry Bjornson on His Western, Wide Open