Mirror, Mirror on the Wall; or, The Magnificent Seven’s Professionals ‘R’ Us

“We deal in lead, friend,” says Steve McQueen. And the 1960s western was born.

Exit stage left the single-minded lone gunfighter shooting it out with a single-minded lone villain, the only real conflict between the two being who is the fairest of them all. It had been an epic time–a time when one man’s word had more . . . → Read More: Mirror, Mirror on the Wall; or, The Magnificent Seven’s Professionals ‘R’ Us

‘Into The Sunset'; or, MoMA’s Mything of the West

What Americans and Europeans bought with every Buffalo Bill’s Wild West ticket, and what people purchase around the world with every pack of American cigarettes is a little bit of ourselves as we want to be–alluring, daring, legendary. With every MoMA “Into The Sunset” ticket it appears we also want to be alienated and disillusioned. . . . → Read More: ‘Into The Sunset'; or, MoMA’s Mything of the West