When the Legend Becomes Fact; or, The Sand Creek Massacre’s Inconvenient Truths

This is the West, sir. When the legend becomes fact, print the legend.

That infamous line inĀ The Man Who Shot Liberty ValanceĀ (dir. John Ford, 1962) succinctly describes much of what lies behind sepia-toned country nostalgia and pumped-up cowboy-wannabe posturing: the legend of the West is bigger than its reality, and it’s a lot more interesting to watch . . . → Read More: When the Legend Becomes Fact; or, The Sand Creek Massacre’s Inconvenient Truths

Fast Times at Liberty Valance High; or The Reel-Life Politics of Ford’s Anti-Western

I knew where it was going. Anyone who’s done his or her western homework would.

There are two American archetypes that were sometimes played against each other in old Westerns.

The egghead Eastern lawyer who lacks the skills or stomach for a gunfight is contrasted with the tough Western rancher and ace shot who has no patience for . . . → Read More: Fast Times at Liberty Valance High; or The Reel-Life Politics of Ford’s Anti-Western