Did the Duke take the Myth to the Grave?; or, Tim Neath’s Search through Western Films

We’ll find ’em in the end, I promise you. We’ll find ’em. Just as sure as the turnin’ of the earth. —Ethan Edwards (John Wayne), The Searchers (1956)

The Meaning of Life was easier to know before World War II. They were bad; we were good. Since 1945, it’s been harder to maintain the line in the . . . → Read More: Did the Duke take the Myth to the Grave?; or, Tim Neath’s Search through Western Films

Writing the High Country; or, Author Larry Bjornson on His Western, Wide Open

Writing a novel is hard work. Writing a good western can be even more daunting: westerns, which tend to have plotlines so well traveled you can drive a wagon train through them, nonetheless require historical specificity and a protagonist who typifies rugged individuality—laconic and gimlet-eyed from the start or in a dude-to-hero arc.

So whenever I read . . . → Read More: Writing the High Country; or, Author Larry Bjornson on His Western, Wide Open

Reward Good, Fight Evil; or, the Western Hero Lessons of The Fighting Fists of Shanghai Joe

“I want to be a cowboy.”

–Chin Hao, aka Shanghai Joe, played by  Sessue Hayakawa, aka Chen Lee, The Fighting Fists of Shanghai Joe, 1973

I’ve always said that Silver-Screen Western Heroes come in all shapes, sizes, genders, and nationalities. Whether SSWHs are male or female, from the East or the West, they share

a certain stillness in their . . . → Read More: Reward Good, Fight Evil; or, the Western Hero Lessons of The Fighting Fists of Shanghai Joe